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Salt Print of Church of Holy Trinity

Salt Print of Church of Holy Trinity

Copy of a Drawing 'His Portrait, Pedro Orrente', by Tessin

Copy of a Drawing 'His Portrait, Pedro Orrente', by Tessin

1847-08-31

Coley Avenue, Reading by Nicolaas Henneman

Coley Avenue, Reading by Nicolaas Henneman

1847

Diego Velasquez: Portrait of Philip IV'

Diego Velasquez: Portrait of Philip IV'

1847-08-31

Book of prints published in 1847 by Nicolaas Henneman.

Talbotypes or sun pictures taken from the actual objects which they represent

1847

Juan De Yciar: His Portrait (1550)', calotype photographed by Nicolaas Henneman about 1847. Caligrapher Juan de Iciar (c 1523 - died after 1570) or Yciar, also known by the nickname of 'El Vizcaino', is considered to be the first to use printing and engraving techniques in Spain. Plate 2 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848.

Juan De Yciar: His Portrait (1550)'

Diego Velasquez: His wife, Juana Pacheco (from a lithograph)', calotype photographed by Nicolaas Henneman 31 August 1847. Print from trimmed negative. Plate 24 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez: His wife

1847-08-31

Murillo: St Francis (from an etching by Murillo)', calotype photographed by Nicolaas Henneman 31 August 1847. Printed from trimmed negative. Plate 58 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Murillo: St Francis (from an etching by Murillo)'

1847-08-31

Calotype postiive, copy of 'The Virgin and Child', photographed by Nicolaas Henneman, about 1847.

Copy of a print 'The Virgin and Child'

Luis Tristan: Head Supposed to be his Portrait (from a Drawing by William Barclay)', calotype photograph by Nicolaas Henneman, 31 August 1847. Print from an uncropped negative. Print 11 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Luis Tristán de Escamilla (1586–1624), also known as Luis Rodríguez Tristán, was a Spanish painter.

Luis Tristan: Head Supposed to be his Portrait (from a Drawing by William Barclay)'

1847-08-31

Calotype copy of a print 'Las Hilanderas' (The Spinners), by Velasquez, photographed by Nicolaas Henneman 31 August 1847. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Copy of 'Las Hilanderas' by Velasquez

1847-08-31

Josef de Ribera: Etching of Don Juan of Austria', calotype photographed by Nicolaas Henneman, 31 August 1847. Print 37 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Print from untrimmed negative. Spanish painter and printmaker José de Ribera (1591-1652), also known as Jusepe de Ribera, Giuseppe Ribera or 'Lo Spagnoletto' (The Little Spaniard).

Josef de Ribera: Etching of Don Juan of Austria'

1847-08-31

Luis Tristan: Head Supposed to be his Portrait (from a Drawing by William Barclay)', calotype photograph by Nicolaas Henneman, 31 August 1847. Print from an uncropped negative. Print 11 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Luis Tristán de Escamilla (1586–1624), also known as Luis Rodríguez Tristán, was a Spanish painter.

Luis Tristan: Head Supposed to be his Portrait (from a Drawing by William Barclay)'

1847-08-31

An early photographic portrait of a man from 1842, possibly by possibly by Nicolaas Henneman. This salt print from a calotype (paper negative) is part of an album of photographic portraits, possibly taken by Nicolaas Henneman

Portrait of a man

1842

Calotype copy of a print of boys playing at soldiers by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Copy of a print by Goya, Boys Playing At Soldiers

Diego Velasquez, Portrait of the Infanta Margarita Maria (from a drawing by James R Swinton)', calotype photographed by Nicolaas Henneman, 31 August 1847. Print 32 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez

1847-08-31

Negative from a calotype, hypo fixed, waxed/oiled, possibly by Talbot, William Henry Fox and Henneman, Nicolaas, Scotland, 1845

Negative from a calotype

1845

Juan Herrera: General view of San Lorenzo del Escorial', calotype photograph by Nicolaas Henneman 31 August 1847. Printed after negative trimmed. Plate 6 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Herrera (1530-1597) was a Spanish architect and mathematician.

Juan Herrera: General view of San Lorenzo del Escorial'

1847-08-31

Calotype, copies of four prints, photographed by William Henry Fox Talbot, 31 August 1847. Plates 28, 42, 52 and 61 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848.

Copies of four prints from 'Annals of the Artist in Spain'

1847-08-31

Calotype copy of a print of boys playing on a see-saw by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Copy of a print by Goya, Boys Playing on a See-Saw

1844-1846

Diego Velasquez: The Surrender of the Keys of Breda…1625 (From a Lithograph)', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 30 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Print from a trimmed negative. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez: The Surrender of the Keys of Breda…1625 (From a Lithograph)'

1847-08-31

Calotype copy of a print of boys playing on a see-saw by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Copy of a print by Goya, Boys Playing on a See-Saw

1844-1846

Murillo: St Thomas of Villaneuva, Archbishop of Valencia, Giving Alms at the Door of his Cathedral', calotype photograph by Nicolass Henneman, 31 August 1847. Plate 44 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Murillo: St Thomas of Villaneuva

1847-08-31

Juan de Herrera: Palace Front', calotype photograph by Nicolaas Henneman 31 August 1847. Trimmed negative. Plate 9 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Herrera (1530-1597) was a Spanish architect and mathematician. View of San Lorenzo El Escorial.

Juan de Herrera: Palace Front'

1847-08-31

Calotype print by Nicholaas Henneman, titled "Still Life with Dahlia".

Still Life with Dahlia

1840s

Alonso Cano: Madonna and child, calotype photograph by Nicolaas Henneman, about 1847. Spanish artist, sculptor and architect (1601-1667).

Alonso Cano: Madonna and child

1847

Diego Velasquez, Portrait of the Infanta Margarita Maria (from a drawing by James R Swinton)', calotype photographed by Nicolaas Henneman, 31 August 1847. Inscribed '32' in pencil. Print 32 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez

1847-08-31

Domenico Theotocopuli, 'El Greco': Portrait of his daughter (from a drawing by William Barclay)' calotype photographed by Nicolaas Henneman 31 August 1847. Domenico Theotocopuli 'El Greco' (1541-1614) Cretan-born artist active in Spain. William Barclay (1797-1859) was a British artist and miniaturist. Plate 10 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848.

Domenico Theotocopuli

1847-08-31

Juan Martinez Montanes: Santa Teresa de Jesus', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 14 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Martínez Montañés (1568-1649), known as 'el Dios de la Madera' (the God of Wood).

Juan Martinez Montanes: Santa Teresa de Jesus'

1847-08-31

Murillo: Holy Family, known as that of the Little Bird (from a lithograph)', calotype photographed by Nicolaas Henneman, 31 August 1847. Print from a trimmed negative. Print 51 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Murillo: Holy Family

1847-08-31

Pedro Orrente: His Portrait (Louvre, from a drawing by M Tessin)', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 12 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848.

Pedro Orrente: His Portrait

1847-08-31

Diego Velasquez: The Family of Velasquez (from engraving by Kovatsch)', calotype photographed by Nicolaas Henneman, 31 August 1847. Print 34 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez: The Family of Velasquez (from engraving by Kovatsch)'

1847-08-31

Diego Velasquez: Isabella of Bourbon, his first Queen', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 27 in 'Annals of the Artist in Spain'. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez: Isabella of Bourbon

1847-08-31

Calotype negative, copy of 'Church of St Miguel, Guadalajara', photographed by Nicolaas Henneman, 1842. Diminished copy of a print. Pencil 'X' on recto.

Copy of 'Church of St Miguel, Guadalajara'

1847-08-31

A notice to purchasers for, 'Iodised Paper for Making Sun Pictures Prepared by N Henneman, Russell Terrace, Reading (otherwise known as the Reading establishment). Inscribed, signed and dated by Nicolaas Henneman, 1846

By Royal Letters Patent. Iodised Paper for Making Sun Pictures

1846

Murillo: Sta Rufina and Sta Justa, Patronesses of Seville (From Reduced Copies in Oil Executed by José Roldan 1840 and 1845), calotype photograph by Nicolaas Henneman, 31 August 1847. Print 47 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Murillo: Sta Rufina and Sta Justa, Patronesses of Seville (From Reduced Copies in Oil Executed by Jose Roldan 1840 and 1845)

1847-08-31

Diego Velasquez: The Family of Velasquez (from engraving by Kovatsch)', calotype photographed by Nicolaas Henneman, 31 August 1847. Mathematical calculation on verso '66 x 50 = 3,300'. Print 34 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. '34' inscribed in pencil. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez: The Family of Velasquez (from engraving by Kovatsch)'

1847-08-31

Juan Martinez Montanes: Santa Teresa de Jesus', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 14 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Martínez Montañés (1568-1649), known as 'el Dios de la Madera' (the God of Wood).

Juan Martinez Montanes: Santa Teresa de Jesus'

1847-08-31

Murillo: St Anne Teaching the Virgin to Read (from a lithograph)', calotype photographed by Nicolaas Henneman, 31 August 1847. Print 48 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Inscribed in pencil '48'. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Murillo: St Anne Teaching the Virgin to Read (from a lithograph)'

1847-08-31

Alonso Berruguete: Marble Tomb of Cardinal Juan de Tavera, Archbishop of Toledo, in the Hospital of St John The Baptist, at Toledo', calotype photographed by Nicolaas Henneman, 31 August 1841. Plate 3 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh sculptor, architect and artist Alonso González de Berruguete (1488-1561).

Alonso Berruguete: Marble Tomb of Cardinal Juan de Tavera

1847-08-31

Cherub with a Mitre (From a Drawing by Salvador Gutierrez, 1845)', calotype photograph by William Henry Fox Talbot, 31 August 1841. Print taken from a cut negative. Print 49 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Cherub with a Mitre

Diego Velasquez: Velasquez Painting the Infanta Margarita Maria… (From Engraving by Audoin, 1799)', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 32 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848'. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez: Velasquez Painting the Infanta Margarita Maria…

1847-08-31

Juan Martinez Montanes: Santa Teresa de Jesus', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 14 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Martínez Montañés (1568-1649), known as 'el Dios de la Madera' (the God of Wood).

Juan Martinez Montanes: Santa Teresa de Jesus'

1847-08-31

Calotype copy of a print of boys playing at soldiers by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Copy of a print by Goya, Boys Playing At Soldiers

1844-1846

Juan Martinez Montanes: Santa Teresa de Jesus', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 14 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Martínez Montañés (1568-1649), known as 'el Dios de la Madera' (the God of Wood).

Juan Martinez Montanes: Santa Teresa de Jesus'

1847-08-31

Juan Martinez Montanes: Santa Teresa de Jesus', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 14 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Martínez Montañés (1568-1649), known as 'el Dios de la Madera' (the God of Wood).

Juan Martinez Montanes: Santa Teresa de Jesus'

1847-08-31

Juan Martinez Montanes: Santa Teresa de Jesus', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 14 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Martínez Montañés (1568-1649), known as 'el Dios de la Madera' (the God of Wood).

Juan Martinez Montanes: Santa Teresa de Jesus'

1847-08-31

Pedro Orrente: His Portrait (Louvre. From a drawing by M Tessin)', calotype photographed by Nicolaas Henneman, 31 August 1847. Plate 12 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Print from a trimmed negative.

Copy of a Drawing 'His Portrait, Pedro Orrente', by Tessin

1847-08-31

A photograph by Nicolaas Henneman of 'Westminster Abbey', May 1844

Westminster Abbey

1844

Calotype copy of a print of boys playing on a see-saw by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Copy of a print by Goya, Boys Playing on a See-Saw

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